Jonathan, thank you.
Based on the construction of the garments, I think they used a contractor in NY. The designs are definitely couture, but the construction is sometimes couture, sometimes RTW, and sometimes simply odd--like they didn't know what to do. The facings fall into this category.
Victoria, that is a fascinating obit. Many thanks.
Found my copy of Couture & Commerce--right not much about Dior NY except the business was managed by the French.
Thanks, Barbara, I found my book.
Thanks for the info. I've spent several hours examining two garments from the 1960s.
1. They have US Union labels; I have to check Norell, Mainbocher, etc. They had workrooms and I don't remember them having union labels.
2. Both dresses are completely lined and they have separate facings...
Mary Jane, thanks. I haven't given any of my treasures from you away yet.
Barbara, thanks--I looked in several books I have, but found nothing. Christian Dior--NY was not an "American designer" and the couture house apparently considered it a step-child.
I'll check Couture and Commerce.
I've bought from Kerry Taylor several times and have always been pleased. My favorite Chanel suit (that I can wear) is from the 70s. Ok, I can't wear the skirt, but the jacket is fabulous.
I must add that I , at least once, paid more for shipping than for the garment(s). Even so, I always...
I'm working on a short YouTube about Dior-NY and a couple of my garments. Ilooked online for some info about Dior-NY. There's very little except it began 2 years after the house opened. It was manufactured in the US with Union labels.
Since Dior could not manufacturer RTW in France in the...
This fabric is on a skirt I borrowed. It's definitely a leno or gauze weave and not silk. The skirt was made by a home-sewer or dressmaker. There's lots --maybe 10 yards-- of fabric so I'm assuming it is not enormously expensive. I've never seen it in a fabric store. Have you seen cheap leno...
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