Hello!
I am so pleased to have found this website. It is an amazing source of information and help. Can anyone give me guidance with a wonderful dress?
As an experienced seamstress I have been asked to make some repairs to a black beaded dress that I believe is from the early 1920s. After looking at it closely I feel certain that this is a very special piece and deserves more than a simple repair.
The dress is shown in the first photo. The lace at the sides are not sleeves but lace drapery. The triangular shapes fall from the shoulder and the waist line.
The dress is in three layers. The outer layer is black net with a beaded art deco design. There is some bead loss and some of the large dome shapes are damaged or missing. Some of the lace drapery has been torn and one side has been pulled away.
The second layer is a woven gold fabric that I suspect has oxidized.
It the inner layer that is astonishing. It has a waist length bodice made of ivory silk with a black silk skirt. The seams have been overcast. The darts have been shaped and their edges overcast. The bottom of the bodice is finished in tiny french lace. The armpits have perspiration guards that are stained. The most interesting detail of the bodice is a pair of bum pads (to give the desired boyish shape?) and two long silk loops of ribbon.
Nobody ever got into this dress without help. The bodice closes down the centre back with hooks and eyes. The gold layer does as well, but it is also attached to the inner bodice at the top and side with snaps. The final bead layer closes at the back left seam with snaps and a line of snaps attaches to the other layers at the neckline.
The dress has a label at the centre front which says "Gowns Anderson Chicago" If the dress is in fact 1920 and made in Chicago it would put it right in the middle of the "Jazz Age"!! Louis Armstrong, Speakeasies...so romantic!!
So...here are my questions. Is this dress as special as I think it is? Should I make any repairs at all? My thought was to stabilize the tear in the lace with an underlay of silk tulle and tie off loose threads to prevent any more bead loss. If the dress is important would it be better to leave the whole thing to a conservator? Does anyone have any information about Anderson Gowns?
Any and all help, advice, guidance would be very much appreciated. to give the owner proper advice and I don't want to make an error with this. Thanks in advance!!
I am so pleased to have found this website. It is an amazing source of information and help. Can anyone give me guidance with a wonderful dress?
As an experienced seamstress I have been asked to make some repairs to a black beaded dress that I believe is from the early 1920s. After looking at it closely I feel certain that this is a very special piece and deserves more than a simple repair.
The dress is shown in the first photo. The lace at the sides are not sleeves but lace drapery. The triangular shapes fall from the shoulder and the waist line.
The dress is in three layers. The outer layer is black net with a beaded art deco design. There is some bead loss and some of the large dome shapes are damaged or missing. Some of the lace drapery has been torn and one side has been pulled away.
The second layer is a woven gold fabric that I suspect has oxidized.
It the inner layer that is astonishing. It has a waist length bodice made of ivory silk with a black silk skirt. The seams have been overcast. The darts have been shaped and their edges overcast. The bottom of the bodice is finished in tiny french lace. The armpits have perspiration guards that are stained. The most interesting detail of the bodice is a pair of bum pads (to give the desired boyish shape?) and two long silk loops of ribbon.
Nobody ever got into this dress without help. The bodice closes down the centre back with hooks and eyes. The gold layer does as well, but it is also attached to the inner bodice at the top and side with snaps. The final bead layer closes at the back left seam with snaps and a line of snaps attaches to the other layers at the neckline.
The dress has a label at the centre front which says "Gowns Anderson Chicago" If the dress is in fact 1920 and made in Chicago it would put it right in the middle of the "Jazz Age"!! Louis Armstrong, Speakeasies...so romantic!!
So...here are my questions. Is this dress as special as I think it is? Should I make any repairs at all? My thought was to stabilize the tear in the lace with an underlay of silk tulle and tie off loose threads to prevent any more bead loss. If the dress is important would it be better to leave the whole thing to a conservator? Does anyone have any information about Anderson Gowns?
Any and all help, advice, guidance would be very much appreciated. to give the owner proper advice and I don't want to make an error with this. Thanks in advance!!