fuzzylizzie
Alumni
Sorry, but no photos; you'll have to use your imaginations for this one.
I was recently in an antique mall and came upon a booth that had some vintage clothing. I reached over to pick up a great 1930s hat from the top of the display, and it wouldn't come off! The owner of the booth had HOT GLUE GUNNED this hat to the top of a vintage store display (a torso on a stick). The torso was attired in a 1920s silk camisole, and glued to the top of it was a Victorian bodice. On the base of the stand was glued a pair of Edwardian shoes, in great, even wearable, condition, and a pair of beaded kid gloves. Over the top of all this was glued vintage ribbon and bits of lace, and 1920s rosettes.
I was in shock! I found the price tag which read, "Altered Clothing Art, $225"
I'm aware that altering is the latest craze in paper art. I do journaling and I have lots of books on the subject. So I got out a few to see what they have to say about this art form. I was again shocked! Some of these books advocate the use of vintage patterns as a good base material for art! Just glue the pieces onto whatever you are working on for a cool effect. Another book showed pictures being cut out of 1950s VOGUE magazines, photos glued onto the top of that and a vintage glove was pasted at the side.
Not that I think every old scrap of material and every old patterns is worthy of collecting or saving, but what's to prevent an uninformed crafter from gluing a pair of Hermes gloves to a pair of Perugia shoes, topped off with a Worth bodice and a Agnes hat?
I understand collage, really, I do. I appreciate the work of Joseph Cornell and Lenore Tawney and others, and I enjoy working assemblages myself. But shouldn't there be a connection somewhere between artist and work? Or is it "ART" because the maker says it's "ART"? To me, the point of the Altered Clothing ART was for the vendor to capitalize on a trend and make a few bucks.
Okay, rant over.
Lizzie
I was recently in an antique mall and came upon a booth that had some vintage clothing. I reached over to pick up a great 1930s hat from the top of the display, and it wouldn't come off! The owner of the booth had HOT GLUE GUNNED this hat to the top of a vintage store display (a torso on a stick). The torso was attired in a 1920s silk camisole, and glued to the top of it was a Victorian bodice. On the base of the stand was glued a pair of Edwardian shoes, in great, even wearable, condition, and a pair of beaded kid gloves. Over the top of all this was glued vintage ribbon and bits of lace, and 1920s rosettes.
I was in shock! I found the price tag which read, "Altered Clothing Art, $225"
I'm aware that altering is the latest craze in paper art. I do journaling and I have lots of books on the subject. So I got out a few to see what they have to say about this art form. I was again shocked! Some of these books advocate the use of vintage patterns as a good base material for art! Just glue the pieces onto whatever you are working on for a cool effect. Another book showed pictures being cut out of 1950s VOGUE magazines, photos glued onto the top of that and a vintage glove was pasted at the side.
Not that I think every old scrap of material and every old patterns is worthy of collecting or saving, but what's to prevent an uninformed crafter from gluing a pair of Hermes gloves to a pair of Perugia shoes, topped off with a Worth bodice and a Agnes hat?
I understand collage, really, I do. I appreciate the work of Joseph Cornell and Lenore Tawney and others, and I enjoy working assemblages myself. But shouldn't there be a connection somewhere between artist and work? Or is it "ART" because the maker says it's "ART"? To me, the point of the Altered Clothing ART was for the vendor to capitalize on a trend and make a few bucks.
Okay, rant over.
Lizzie