Help needed on dating antique dress

DaisyandStella

VFG Member
Hi - I'd love to pinpoint an era for this antique dress set. It's a patterned polished cotton with cotton velvet.

The floor length skirt has tight gathers below the waistband - possibly the addition of the brown cotton fabric was due to prior damage to the patterned fabric. The skirt has a pleated hem and is unlined with exception of the short straight under hem tier. It has one hook/eye at center back and three snaps below the skirt opening - quite possibly an addition.

The bodice jacket has cotton lining, however, it is not boned at the inner seams. The jacket has contrasting cotton velvet at collared neck and down center. It closes down center with cut steel buttons.

At first look, I would have sworn she is Victorian, however, with no inner boning and no lining for the skirt, I would appreciate any information.
 

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Hi - I'd love to pinpoint an era for this antique dress set. It's a patterned polished cotton with cotton velvet.

The floor length skirt has tight gathers below the waistband - possibly the addition of the brown cotton fabric was due to prior damage to the patterned fabric. The skirt has a pleated hem and is unlined with exception of the short straight under hem tier. It has one hook/eye at center back and three snaps below the skirt opening - quite possibly an addition.

The bodice jacket has cotton lining, however, it is not boned at the inner seams. The jacket has contrasting cotton velvet at collared neck and down center. It closes down center with cut steel buttons.

At first look, I would have sworn she is Victorian, however, with no inner boning and no lining for the skirt, I would appreciate any information.
Hello,

She is lovely, just lovely and Victorian in design and likely era.

I am not sure if the velvet shoulder and rear bodice inserts are contemporary but no reason why not.

7th button up on the left of the bodice, it there an extra seam?
 
Thank you! Here are some more pictures on both sides of the bodice near that 7th button. As you can see the velvet inset isn’t an absolute perfect fit.
 

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possibly the addition of the brown cotton fabric was due to prior damage to the patterned fabric.

That is not unusual for a dress of that era. That top back section was sometimes not covered in the more delicate or fancy dress fabric, but purposely made of a more sturdier fabric such as cotton sateen, polished cotton, etc. Since the dress was worn with a bustle, that was often where the bustle was placed/tied, and the plain cotton fabric would stand up better to wear in the area.
 
That is not unusual for a dress of that era. That top back section was sometimes not covered in the more delicate or fancy dress fabric, but purposely made of a more sturdier fabric such as cotton sateen, polished cotton, etc. Since the dress was worn with a bustle, that was often where the bustle was placed/tied, and the plain cotton fabric would stand up better to wear in the area.
Hello Barbara

Ahhh, that make more sense to my way of thinking.

I had wondered if a section had been removed at top of skirt to facilitate a repair to the bodice?
 
Thank you! Here are some more pictures on both sides of the bodice near that 7th button. As you can see the velvet inset isn’t an absolute perfect fit.
Hi,

I thought I would tackle the material, the pattern last night, not for dating reasons, she is what she is but history, it got the old detective juices on the go.

I came up zilch but left me wondering if costume was a find or an heirloom?

I'm wondering if the material was purchased in England. With a huge amount of anticipated red face trepidation,-------Turkish----maybe?

It's not that we didn't produce fantastic material and pattern designs,---it's more--0h I dunno.
 
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The fabric print is done in an 'orientalist' style, so its supposed to look exotic, but patterns like that were being printed in the U.S. at the time.
Hello Jonathan

I would love to see some examples.

Any chance of a link or two please?
 
I cant pin point the date, but I want to say how beautifully photographed your pieces are.
Can you share your method?
Thank you so much! I don’t use any flash on my camera but I do have two large bright spotlights set up in my photography area with a gray paper backdrop. The backdrop unfortunately shows every wrinkle so I mainly only have to edit out the wrinkles from the backdrop.
 
Thank you. this must be why you dont get the dreaded shadows.
Stunning photography.
It's been quite a long process trying to figure out best lighting, etc. I look back at my pics 5 years ago and I'm surprised I didn't notice the huge shadow lines at the time.
 
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