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<title>Untitled Document</title>
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<p> </p>
<p align="center"> </p>
<table width="100%" border="0">
<tr>
<td colspan="2">
<div align="center"><img src="http://www.northstarvintage.com/ebay/racjpg1.gif" width="436" height="288"></div>
</td>
</tr>
<tr>
<td width="28%"> </td>
<td width="72%"><font size="2"><a href="http://www.matthewrobbinsphoto.com/">Photo
by Matthew Robbins</a></font></td>
</tr>
</table>
<p align="center"><br>
<font size="2"><br>
<br>
<br>
</font><br>
<b><font face="Geneva, Arial, Helvetica, san-serif" color="#00CC00" size="5">Origins
</font></b></p>
<p></p>
<table width="95%" border="0">
<tr>
<td width="51%">
<div align="center"><b><font face="Arial, Helvetica, sans-serif" size="3">Rockabilly
was inevitable. The world of western swing and country music, and the
world of rhythym and blues were progressing side by side, brewing like
a storm over the earth, until a lightening bolt cracked down from one
to the other. <br>
</font></b></div>
</td>
<td width="49%">
<div align="center">
<p><b><font size="3" face="Arial, Helvetica, sans-serif"><img src="http://www.northstarvintage.com/ebay/saddlemen.jpg" width="241" height="247"><br>
The Saddlemen (featuring Bill Haley)</font></b></p>
<p><b><font size="3" face="Arial, Helvetica, sans-serif"><br>
</font></b></p>
</div>
</td>
</tr>
<tr>
<td width="51%" height="158">
<div align="center"><b><font face="Arial, Helvetica, sans-serif" size="3"><img src="http://www.northstarvintage.com/ebay/sunjackie.jpg" width="167" height="198"><br>
Jackie Brenston</font></b></div>
</td>
<td width="49%" height="158">
<p align="center"><b><font face="Arial, Helvetica, sans-serif" size="3">That
lightening bolt, according to Sam Phillips, owner of Sun Studios, was
Jackie Brenston's Rocket 88, released in 1951 on <a href="http://www.history-of-rock.com/chess_records.htm" target="_blank">Chess
Records</a>. It had a strong rhytyhm and a raucous guitar (which was a
mistake according to guitarist Willie Kizart - the amp fell off the car
and broke the speaker cone). It was dark, it was sexy, and the kids loved
it.</font></b></p>
<p align="center"><b><font face="Arial, Helvetica, sans-serif" size="3">Teenagers
heard that blues beat and combined it with the country and western swing
sound of the country/swing musicians, like Fred Maddox's slapping bass
style which drove the Sound of the <a href="http://www.artistdirect.com/nad/music/artist/listenwatch/0,,461892,00.html#artist_name" target="_blank">Maddox
Brothers</a>.</font></b></p>
<p> </p>
</td>
</tr>
<tr>
<td width="51%" height="136">
<div align="center"><font face="Arial, Helvetica, sans-serif" size="3"><b>Rockabilly
is the rhythm. Generally nothing more than an 8-to-the-bar boogie with
a heavy "back beat." This is created usually by a snare drum
, on the 2nd and 4th beats (or the 4th and 8th beats of the boogie rhythm).
Hard to explain, but you know if it you hear it - it's like a train. On
top of that add wild vocals about girls and cars, a guitar and slap bass,
all played by kids who grew up listening to country music. That's about
as good a description as I can come up with.</b></font><b><font face="Arial, Helvetica, sans-serif" size="3"><br>
</font></b></div>
</td>
<td width="49%" height="136">
<div align="center"><b><font face="Arial, Helvetica, sans-serif" size="3"><img src="http://www.northstarvintage.com/ebay/EPLouisHaybwBIG.jpg" width="322" height="256"><br>
Elvis Presley - 1954<br>
<br>
</font></b></div>
</td>
</tr>
<tr>
<td width="51%" height="312">
<div align="center">
<p> </p>
<p><b><font face="Arial, Helvetica, sans-serif" size="3"><img src="http://www.northstarvintage.com/ebay/skok.jpg" width="218" height="320"><br>
Jerry Lee Lewis<br>
<br>
</font></b></p>
</div>
</td>
<td width="49%" height="312">
<div align="center"><b><font face="Arial, Helvetica, sans-serif" size="3"><br>
<a href="http://www.sunrecords.com/" target="_blank">Sun Records</a> was
the architect of rockabilly. Sam Phillips had started out by recording
blues artists. But when he realized that white artists performing blues
influenced rockabilly songs would sell better, he concentrated on that.
His roster included <a href="http://www.amazon.com/exec/obidos/tg/detail/-/B000003492/qid=1108864200/sr=8-2/ref=pd_bbs_2/104-7169657-4527126?v=glance&s=music&n=507846" target="_blank">Carl
Perkins</a> (Blue Suede Shoes), <a href="http://www.amazon.com/exec/obidos/tg/detail/-/B0000032D0/ref=pd_sim_music_3/104-7169657-4527126?v=glance&s=music&n=507846" target="_blank">Jerry
Lee Lewis</a> (Great Balls of Fire), <a href="http://www.amazon.com/exec/obidos/ASIN/B00001QGRU/qid=1108864276/sr=2-1/ref=pd_bbs_b_2_1/104-7169657-4527126" target="_blank">Johnny
Cash</a>, and most famously - <a href="http://www.amazon.com/exec/obidos/ASIN/B00025L41W/qid=1108864308/sr=2-1/ref=pd_bbs_b_2_1/104-7169657-4527126" target="_blank">Elvis
Presley</a></font></b></div>
</td>
</tr>
<tr>
<td width="51%">
<div align="center"><b><font face="Arial, Helvetica, sans-serif" size="3">It
was Presley's success which allowed Phillips to spend money and concentrate
on the lesser known artists, like <a href="http://www.amazon.com/exec/obidos/ASIN/B000001AW9/qid=1108864347/sr=2-1/ref=pd_bbs_b_2_1/104-7169657-4527126" target="_blank">Johnny
Burnette,</a> <a href="http://www.amazon.com/exec/obidos/tg/detail/-/B0000036A7/qid=1108864380/sr=1-2/ref=sr_1_2/104-7169657-4527126?v=glance&s=music" target="_blank">Barbara
Pittman </a>and<a href="http://www.amazon.com/exec/obidos/ASIN/B00000369O/qid=1108864418/sr=2-1/ref=pd_bbs_b_2_1/104-7169657-4527126" target="_blank">
Carl Mann</a>. It was in recording these artists in his Memphis Studio,
that Philips created the sound that defined the sound of early rock and
roll, with wild vocal performances, and a big sound that was simultaneously
clean and sparse.</font></b></div>
</td>
<td width="49%">
<div align="center">
<p><b><font face="Arial, Helvetica, sans-serif" size="3"><img src="http://www.northstarvintage.com/ebay/vincent.jpg" width="200" height="252"><br>
Johnny Burnette</font></b></p>
<p> </p>
</div>
</td>
</tr>
<tr>
<td width="51%">
<div align="center">
<p><b><font face="Arial, Helvetica, sans-serif" size="3"><img src="http://www.northstarvintage.com/ebay/vincent2.jpg" width="306" height="203"><br>
Gene Vincent - 1956</font></b></p>
<p> </p>
</div>
</td>
<td width="49%">
<p align="center"><b><font face="Arial, Helvetica, sans-serif" size="3">Through
extensive touring as well as radio and television appearances, Elvis and
others spread rockabilly throughout the country. Little indepdendent studios
all over the country started picking up local bands with that sound and
recording all this stuff. Starday Studios in Texas, <a href="http://www.bear-family.de/tabel1/neuheit/spring2004/bcd16440_e.htm" target="_blank">Event
Records</a>, and Mar-Vel in Indiana recreated the sound and the energy.
The records sold well, and rockabilly hit the big time. Even the straight
country artists did rockabilly records - for example a very reluctant
George Jones performing as "Thumper Jones." (sorry, can't find
the song online!)</font></b></p>
</td>
</tr>
<tr>
<td width="51%">
<div align="center"><b><font face="Arial, Helvetica, sans-serif" size="3">
And as larger labels began promoting rockabilly, it inevitably became
a watered down commodity - lacking the energy of the initial collision
between rhythm and blues and country western swing.</font></b></div>
</td>
<td width="49%">
<div align="center"><font size="3"><font face="Arial, Helvetica, sans-serif"><font face="Arial, Helvetica, sans-serif"><font size="3"><b><b></b></b></font></font></font></font></div>
</td>
</tr>
<tr>
<td width="51%">
<div align="center"><font size="3"><font face="Arial, Helvetica, sans-serif"><font face="Arial, Helvetica, sans-serif"><font size="3"><b><b></b></b></font></font></font></font></div>
</td>
<td width="49%">
<p align="center"> </p>
<p align="center"></p>
<p align="center"></p>
<p align="center"></p>
<p align="center"></p>
<p align="center"></p>
<p align="center"></p>
<p align="center"><b><font face="Arial, Helvetica, sans-serif" size="3">But
rockabilly music is a process, an organic genre that was founded on the
intersection of two sounds. Its revival in the 70's created a whole new
group of listeners and performers, with an entirely new spectrum of musical
influences....</font></b></p>
<p align="center"><b><font face="Arial, Helvetica, sans-serif" size="3">Next....The
Revival and Now</font></b></p>
</td>
</tr>
</table>
<p> </p>
<p> </p>
<p></p>
</body>
</html>
<head>
<title>Untitled Document</title>
<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
</head>
<body bgcolor="#FFFFFF" text="#000000">
<p> </p>
<p align="center"> </p>
<table width="100%" border="0">
<tr>
<td colspan="2">
<div align="center"><img src="http://www.northstarvintage.com/ebay/racjpg1.gif" width="436" height="288"></div>
</td>
</tr>
<tr>
<td width="28%"> </td>
<td width="72%"><font size="2"><a href="http://www.matthewrobbinsphoto.com/">Photo
by Matthew Robbins</a></font></td>
</tr>
</table>
<p align="center"><br>
<font size="2"><br>
<br>
<br>
</font><br>
<b><font face="Geneva, Arial, Helvetica, san-serif" color="#00CC00" size="5">Origins
</font></b></p>
<p></p>
<table width="95%" border="0">
<tr>
<td width="51%">
<div align="center"><b><font face="Arial, Helvetica, sans-serif" size="3">Rockabilly
was inevitable. The world of western swing and country music, and the
world of rhythym and blues were progressing side by side, brewing like
a storm over the earth, until a lightening bolt cracked down from one
to the other. <br>
</font></b></div>
</td>
<td width="49%">
<div align="center">
<p><b><font size="3" face="Arial, Helvetica, sans-serif"><img src="http://www.northstarvintage.com/ebay/saddlemen.jpg" width="241" height="247"><br>
The Saddlemen (featuring Bill Haley)</font></b></p>
<p><b><font size="3" face="Arial, Helvetica, sans-serif"><br>
</font></b></p>
</div>
</td>
</tr>
<tr>
<td width="51%" height="158">
<div align="center"><b><font face="Arial, Helvetica, sans-serif" size="3"><img src="http://www.northstarvintage.com/ebay/sunjackie.jpg" width="167" height="198"><br>
Jackie Brenston</font></b></div>
</td>
<td width="49%" height="158">
<p align="center"><b><font face="Arial, Helvetica, sans-serif" size="3">That
lightening bolt, according to Sam Phillips, owner of Sun Studios, was
Jackie Brenston's Rocket 88, released in 1951 on <a href="http://www.history-of-rock.com/chess_records.htm" target="_blank">Chess
Records</a>. It had a strong rhytyhm and a raucous guitar (which was a
mistake according to guitarist Willie Kizart - the amp fell off the car
and broke the speaker cone). It was dark, it was sexy, and the kids loved
it.</font></b></p>
<p align="center"><b><font face="Arial, Helvetica, sans-serif" size="3">Teenagers
heard that blues beat and combined it with the country and western swing
sound of the country/swing musicians, like Fred Maddox's slapping bass
style which drove the Sound of the <a href="http://www.artistdirect.com/nad/music/artist/listenwatch/0,,461892,00.html#artist_name" target="_blank">Maddox
Brothers</a>.</font></b></p>
<p> </p>
</td>
</tr>
<tr>
<td width="51%" height="136">
<div align="center"><font face="Arial, Helvetica, sans-serif" size="3"><b>Rockabilly
is the rhythm. Generally nothing more than an 8-to-the-bar boogie with
a heavy "back beat." This is created usually by a snare drum
, on the 2nd and 4th beats (or the 4th and 8th beats of the boogie rhythm).
Hard to explain, but you know if it you hear it - it's like a train. On
top of that add wild vocals about girls and cars, a guitar and slap bass,
all played by kids who grew up listening to country music. That's about
as good a description as I can come up with.</b></font><b><font face="Arial, Helvetica, sans-serif" size="3"><br>
</font></b></div>
</td>
<td width="49%" height="136">
<div align="center"><b><font face="Arial, Helvetica, sans-serif" size="3"><img src="http://www.northstarvintage.com/ebay/EPLouisHaybwBIG.jpg" width="322" height="256"><br>
Elvis Presley - 1954<br>
<br>
</font></b></div>
</td>
</tr>
<tr>
<td width="51%" height="312">
<div align="center">
<p> </p>
<p><b><font face="Arial, Helvetica, sans-serif" size="3"><img src="http://www.northstarvintage.com/ebay/skok.jpg" width="218" height="320"><br>
Jerry Lee Lewis<br>
<br>
</font></b></p>
</div>
</td>
<td width="49%" height="312">
<div align="center"><b><font face="Arial, Helvetica, sans-serif" size="3"><br>
<a href="http://www.sunrecords.com/" target="_blank">Sun Records</a> was
the architect of rockabilly. Sam Phillips had started out by recording
blues artists. But when he realized that white artists performing blues
influenced rockabilly songs would sell better, he concentrated on that.
His roster included <a href="http://www.amazon.com/exec/obidos/tg/detail/-/B000003492/qid=1108864200/sr=8-2/ref=pd_bbs_2/104-7169657-4527126?v=glance&s=music&n=507846" target="_blank">Carl
Perkins</a> (Blue Suede Shoes), <a href="http://www.amazon.com/exec/obidos/tg/detail/-/B0000032D0/ref=pd_sim_music_3/104-7169657-4527126?v=glance&s=music&n=507846" target="_blank">Jerry
Lee Lewis</a> (Great Balls of Fire), <a href="http://www.amazon.com/exec/obidos/ASIN/B00001QGRU/qid=1108864276/sr=2-1/ref=pd_bbs_b_2_1/104-7169657-4527126" target="_blank">Johnny
Cash</a>, and most famously - <a href="http://www.amazon.com/exec/obidos/ASIN/B00025L41W/qid=1108864308/sr=2-1/ref=pd_bbs_b_2_1/104-7169657-4527126" target="_blank">Elvis
Presley</a></font></b></div>
</td>
</tr>
<tr>
<td width="51%">
<div align="center"><b><font face="Arial, Helvetica, sans-serif" size="3">It
was Presley's success which allowed Phillips to spend money and concentrate
on the lesser known artists, like <a href="http://www.amazon.com/exec/obidos/ASIN/B000001AW9/qid=1108864347/sr=2-1/ref=pd_bbs_b_2_1/104-7169657-4527126" target="_blank">Johnny
Burnette,</a> <a href="http://www.amazon.com/exec/obidos/tg/detail/-/B0000036A7/qid=1108864380/sr=1-2/ref=sr_1_2/104-7169657-4527126?v=glance&s=music" target="_blank">Barbara
Pittman </a>and<a href="http://www.amazon.com/exec/obidos/ASIN/B00000369O/qid=1108864418/sr=2-1/ref=pd_bbs_b_2_1/104-7169657-4527126" target="_blank">
Carl Mann</a>. It was in recording these artists in his Memphis Studio,
that Philips created the sound that defined the sound of early rock and
roll, with wild vocal performances, and a big sound that was simultaneously
clean and sparse.</font></b></div>
</td>
<td width="49%">
<div align="center">
<p><b><font face="Arial, Helvetica, sans-serif" size="3"><img src="http://www.northstarvintage.com/ebay/vincent.jpg" width="200" height="252"><br>
Johnny Burnette</font></b></p>
<p> </p>
</div>
</td>
</tr>
<tr>
<td width="51%">
<div align="center">
<p><b><font face="Arial, Helvetica, sans-serif" size="3"><img src="http://www.northstarvintage.com/ebay/vincent2.jpg" width="306" height="203"><br>
Gene Vincent - 1956</font></b></p>
<p> </p>
</div>
</td>
<td width="49%">
<p align="center"><b><font face="Arial, Helvetica, sans-serif" size="3">Through
extensive touring as well as radio and television appearances, Elvis and
others spread rockabilly throughout the country. Little indepdendent studios
all over the country started picking up local bands with that sound and
recording all this stuff. Starday Studios in Texas, <a href="http://www.bear-family.de/tabel1/neuheit/spring2004/bcd16440_e.htm" target="_blank">Event
Records</a>, and Mar-Vel in Indiana recreated the sound and the energy.
The records sold well, and rockabilly hit the big time. Even the straight
country artists did rockabilly records - for example a very reluctant
George Jones performing as "Thumper Jones." (sorry, can't find
the song online!)</font></b></p>
</td>
</tr>
<tr>
<td width="51%">
<div align="center"><b><font face="Arial, Helvetica, sans-serif" size="3">
And as larger labels began promoting rockabilly, it inevitably became
a watered down commodity - lacking the energy of the initial collision
between rhythm and blues and country western swing.</font></b></div>
</td>
<td width="49%">
<div align="center"><font size="3"><font face="Arial, Helvetica, sans-serif"><font face="Arial, Helvetica, sans-serif"><font size="3"><b><b></b></b></font></font></font></font></div>
</td>
</tr>
<tr>
<td width="51%">
<div align="center"><font size="3"><font face="Arial, Helvetica, sans-serif"><font face="Arial, Helvetica, sans-serif"><font size="3"><b><b></b></b></font></font></font></font></div>
</td>
<td width="49%">
<p align="center"> </p>
<p align="center"></p>
<p align="center"></p>
<p align="center"></p>
<p align="center"></p>
<p align="center"></p>
<p align="center"></p>
<p align="center"><b><font face="Arial, Helvetica, sans-serif" size="3">But
rockabilly music is a process, an organic genre that was founded on the
intersection of two sounds. Its revival in the 70's created a whole new
group of listeners and performers, with an entirely new spectrum of musical
influences....</font></b></p>
<p align="center"><b><font face="Arial, Helvetica, sans-serif" size="3">Next....The
Revival and Now</font></b></p>
</td>
</tr>
</table>
<p> </p>
<p> </p>
<p></p>
</body>
</html>