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“For me the big influence on this film was old British department stores, and the catalogs, and how thin the paper was, the sound it made, how glossy it was. I think in terms of influences, I guess what I was thinking of was the American sculptor Edward Kienholz — he was a huge influence. He did very uncanny mannequin sculptures. And I think the Herk Harvey film Carnival of Souls; there was a department store scene in that film. I love Italian horror... What we wanted to accentuate, beyond the gothic — the sense that there might be vampires or witches — there’s always this sense that department stores are out of time somewhat,” the director says.